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Essay heading: All about timbre
 
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Issue: Music and Movies
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Date added: September 10, 2008
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No of pages / words: 3 / 662
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For Debussy the bassoon tends to become a vehicle for dramatic expression. His experiments with sonorities were also directed towards individualization of timbres. Working in 1894 on an early version of the three Nocturnes (iii) for violin and orchestra, he conceived of one part consisting of strings, another of flutes, four horns, three trumpets and two harps, and a third ‘which reunites these two combinations’; and he compared this kind of construction to ‘various relationships which a single colour can produce’ in painting...
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For Debussy the bassoon tends to become a vehicle for dramatic expression. His experiments with sonorities were also directed towards individualization of timbres. Working in 1894 on an early version of the three Nocturnes (iii) for violin and orchestra, he conceived of one part consisting of strings, another of flutes, four horns, three trumpets and two harps, and a third ‘which reunites these two combinations’; and he compared this kind of construction to ‘various relationships which a single colour can produce’ in painting...
displayed next 300 characters

 
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